Structure and Sensibility — Carl Philipp Emanuel Bach and Johann Christian Bach
No greater contrast between two brothers is likely to be found than in the modes of expression of Carl Philipp Emanuel Bach and Johann Christian Bach. On the one side uncompromising expression and subjectivity, and on the other classicist clarity and form, which went as far as dividing the bonds of family. What would their father have said?
Programme
| Johann Christian Bach | Quartet in G major op. 19, 3 for 2 traverse flutes, Viola and Cello |
| Carl Philipp Emanuel Bach | Sonata in G major W. 139 for recorder and continuo |
| Carl Philipp Emanuel Bach | Quartet in D major W. 94 for harpsichord, traverse flute, Viola and Cello |
| · Interval · | |
| Carl Philipp Emanuel Bach | Sonata in G minor W. 88 for Viola da gamba and harpsichord |
| Carl Philipp Emanuel Bach | Sonata in B minor W. 76 for violin and harpsichord |
| Johann Christian Bach | Quartet in D major op. 19, 2 for 2 traverse flutes, violin and Cello |
Cologne Camerata - Camerata Köln
| Michael Schneider | Recorder, traverse flute |
| Karl Kaiser | Traverse flute |
| Christine Busch | Violin, Viola |
| Rainer Zipperling | Cello, Viola da gamba |
| Sabine Bauer | Harpsichord |
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